happy xmas mum, have a cd/coaster

music >> album review >> kings of leon >> come around sundown

to establish an unbiased view of kings of leon's new album 'come around sundown’ an open mind, ignoring the tiresome 'old kol / new kol' debate was required. 'only by the night', their fourth album brought a fresh wave of fans completely unaware of these tennessee boys before 'sex on fire', westlife cover 'use somebody' and sexy videos more akin to something beyonce would do. kol lost as many fans as they gained with their last album, but having reminded myself of their brilliance on their third record 'because of the times', i was hoping for great things from 'come around sundown'; either a return to their messy, frenzied bluesy rock, or a completely new direction - with whispers of a 'beachy' sounding album, i had high hopes that the polished stadium rock sound they'd uncomfortably slipped into was a one album blip.

sadly the divide between old and new kol remains, i can confirm they're still playing it safe and keeping their new fans (those playing 'sex on fire' off their phones and our take that-loving older sisters) happy with this over produced, stuck in second gear, middle of the road tosh that neither enlightens nor offends. even after three or four listens i couldn't help thinking the cd would make a nice christmas present for my mum, more suitable for afternoon coffee than brixton academy mosh pits. kol now have a signature commercial sound that is instantly recognisable, yet instantly forgettable. longing for the good times of 'spiral staircase' and 'california waiting' these new songs make clear those days are well and truly behind us.

it's not all bad, there are a couple of okay songs, 'no money' hints at their pre-2007 excellence with some choppy guitars and fuzzy production -(at last, i thought) but sadly the next song "pony up" immediately reminded me of the steering wheel-tapping beats they now embrace. 'beach side' has an interesting intro and bouncy bass, a song that flirts with a new direction, but just as my ears were readying themselves for the song to launch the new 2010 kol sound, it ends abruptly as if for fear of offending their new fans. 'pyro' and 'mary' are other songs that slightly stood out but still sat on the fence, not daring enough to tip toe next door where all the naughty, fun stuff is…

this album was kol's chance to slow the monster they've become but instead they've released a 'the only way is essex' friendly album that just doesn't do anything. the commercial road which they've taken is a very different road to the one we thought we were heading down when we jumped onboard during the blurry moustache and flared denim 'youth and young manhood' beginnings. those happy days are assigned to history, i miss them a lot but it seems kol don't, if they did we wouldn't be subjected to yet another soundtrack to bono's wet dreams.

4/10